If you are looking forward to starting a channel on YouTube, getting a good microphone is a must. This article is a dedicated guide on choosing the best microphones for voice overs.
With the variety of new jobs available on the internet, where you can put your artistic or commentary skills to great use, a microphone is one of the most precious investments you ill make in that line of career or passion. So let’s start with checking a few tips on how to decide the best for you.
How to Choose Best Microphones for Voice Overs?
Requirement specific – There are many kinds of microphones available in the market today. Consider your purpose and what you aim to use it for before making a purchase. But on a much general note, a Unidirectional microphone is considered to fit the most general purposes like voice-overs or commentaries.
Frequency– Each microphone is designed to pick up the sounds of varied rates, which is why you need to be very precise about what you are going to record. A microphone that can pick up frequencies from 8Kz to 15 Hz is considered ideal for recording interactions and voice-overs or speeches.
Durability- microphones are sensitive commodities. There are guidelines on how to make them more durable, but even then, most microphones are sensitive to excess heat and excess humidity. Moreover, some of them even react badly if they are consistently placed too close to AC fans.
Affordability– If you were to afford absolutely anything, you would no need a review to base your decision on. But we need to match your budget, with what is available in the market, and narrow it down to the best possible options (which we did for you).
Best Microphones for Recording Voice Overs
Other factors should also be considered based on your preferences. You can opt for a wireless microphone if you intend to travel with it. There are microphones that can sustain on battery charges and ones that work on a power supply.
And we are specifically focusing on audio recording here. A mic with a smaller diaphragm is ideal than the one with the bigger diaphragm, which is suitable for live performances. So here are the best microphones for voice overs.
|Blue YETI||Blue||4.5/5||Check Price|
|MXL Mics 770||MXL||4.6/5||Check Price|
|Neumann TLM103||Neumann||2.2/5||Check Price|
|Blue Snowball iCE||Blue||4.5/5||Check Price|
|Blue Yeti Pro||Blue||4.5/5||Check Price|
|Audio Technica AT2020||Audio-technica||4.6/5||Check Price|
|Focusrite Scarlett 2i2 Studio||Focusrite||4.7/5||Check Price|
|Rode NT1-A||CamelBak||4.7/5||Check Price|
|Shure SM7B||Shure||5/5||Check Price|
|Audio-Technica AT4040||Audio-technica||4.5/5||Check Price|
This microphone has got a very thick metal body. One of its USP includes its ability to record in 4 pickup patterns with the three capsules inside it. These are the possible modes one can get. The audio quality of this is simply excellent. You also get a live headphone jack to monitor what’s being recorded.
As it is a USB microphone, you can just plug the microphone and start recording. Behind the microphone, we get a slider to switch recording modes. We get another switch to change the gain. Also, at the front, we get an LED that will help to know whether it is recording or not.
Some of its features are:
- Tri-capsule array-3 condenser capsules are used to record almost any situation.
- Multiple pattern selection -It has cardioid, bidirectional, omnidirectional & stereo patterns.
- Gain control, mute button, zero-latency headphone output,
- It is perfect for vocals, musical instruments, podcasting, voiceovers, interviews, field recordings, and conference calls.
- Signal to Noise: 100dB,
- Compatible with Windows 10, Windows 8, Windows 7, Windows Vista, Windows XP, and Mac OS X, and requires a minimum of 64 MB of RAM.
MXL Mics 770
MXL is another leading brand of microphones and has a reputation among digital media artists who work closely with recording devices. This one falls under the same price range as the blue yeti microphones and is one of the best microphones for voice overs.
The striking difference between the MXL 770 and the Blue Yeti is quality. For the same price range, the MXL 770 provides a much better quality of voice recording. For narration and commentary purposes, this is a fantastic purchase. But what makes it slide down the list is the fact that it comes with no warranties or guarantees and also the fact that this will not work without installing additional drivers.
If you ask a professional, we would recommend this over all the other models in our list of best microphones for voice overs. This is a high-end brand that upholds its quality and durability over any other values. This has a very high pressure –level tolerance making the final product of recorded voice smooth and free of distortion.
This is great for literally every purpose that you might want to use it for, especially for voice-overs, as it is also great at blocking out the noise.
Some of its features are:
- A large-diaphragm cardioid microphone Pressure gradient transducer with a one-diaphragm capsule Transformerless circuit.
- Extremely low noise: 7 dB-A.
- Includes a swivel mount straightforward handling for home recording and professional studios.
- It includes an SG 103 swivel mount and a wooden jeweler’s box.
Not to mention, the TLM 103 is becoming a standard for home recording and the music industry.
Blue Snowball iCE
Last but not least, one of the best voice over microphones, the Snowball iCE is cheap as well as a quality microphone. It is very sleek in size and has an in-built mini tripod. Since the microphone is very portable, you can take it alongside traveling or set it up anywhere.
Its audio resolution is 16-bit/44.1kHz and a weight of about a pound. Its versatility is the best. It is easy to plug and play in your pc or Mac without any drivers. Although its audio quality is low, it will still get the job done. Also, it is reasonable and affordable for users.
Blue Yeti Pro
This microphone is a blend of quality and ease of use. The Yeti Pro version has been recommended for voice-overs as it provides both USB and XLR connectivity. It has four adjustable pattern settings available viz. cardioid ( for voice-overs in a studio), omnidirectional, stereo, and bi-directional. Yeti Pro gives a phenomenal audio resolution of 24-bit/192kHz. It also has an in-built A-D converter. These features come handy if the microphone is to be used for any other purpose.
This microphone monitors your voice in real-time mixed with the sound from your computer to make sure your streams sound great. It also allows you to adjust and pivot the microphone with respect to the sound source, which helps to optimize the sound quality. It is the most advanced and versatile multi-pattern USB microphone available anywhere.
Audio Technica AT2020
This microphone has an unmatched versatility due to its high SPL handling and extended dynamic range. It provides an extended frequency response and superior transient response. The cardioid polar pattern decreases pickup of sounds from the sides and rear, improving isolation of desired sound source. It has a frequency range of 20-20,000 Hz and an impedance of 100 ohms.
Its audio resolution is comparatively low with that of Yeti Pro, but it’s quality still the same. Due to which it is also reasonable and saves a few bucks. Its audio resolution is 16-bit/48kHz. It has a lot of similarities with others; built-in desktop stands so that it perfectly fits on your office desk (it is portable too), mix and volume control, a headphone jack, as well as easy plug-n-play capabilities with no drivers needed.
Focusrite Scarlett 2i2 Studio
It is not just a voice-over microphone, but a lot more than that. The staple point of this package is the audio interface, which is one of the most popular budget-friendly and starter audio interfaces in the world. It can convert audio at 192kHz and 24-bit while having two ins for microphones and also a separate monitor and headphone knob on the interface itself for ease of use.
With its use, you can make your recordings sound just like you want them to. The instrument input has also been completely redesigned so it can handle seriously hot guitar pick-ups. It has a lot of upgrades. It has super-low latency so that you can record and monitor with software effects in real-time. Moreover, it is economically suitable, as well as professionally helpful.
This microphone is ideal for recording just not the voice-overs but also guitars and percussion. It has a self-noise of only 5dB(A) for which, making it the world’s quietest microphone. Moreover, it serves an extended dynamic range. This model includes a premium shock mount with an integrated pop filter, high quality 6m XLR cable, microphone dust cover, and even a bonus instructional DVD.
It is a studio-quality condenser microphone for voice-overs or any kind of recording delivering warm, clear, and quality sound. With its high sound-pressure tolerance level, there is nothing to worry about the lack of depth or handling the distortion. Also, it is one of the beautiful microphones that include the majority of the world’s expensive microphones.
The NT1A Anniversary Model is a complete redesign of the NT1 classic studio microphone. From the new nickel plated body to the surface mount electronic circuitry, the NT1A will leave you asking, “how can RODE offer a microphone that sounds this good, for so little money”?
This redesigned version of Rode`s classic NT1 has:
- 5 dBA of self-noise.
- The NT1A Anniversary model includes
- a premium shock mount with an integrated pop filter,
- a high quality 6m XLR cable,
- a microphone dust cover,
- a bonus instructional DVD.
- It has a durable satin nickel, and the NT1A is supplied with a shock mount, pop filter, mic cable, and pouch.
It is also widely used for vocals on numerous albums. It shields against the electromagnetic hum emitted by the computer monitors, which can cause interference to your sound.
Some of its features are:
- Compact & elegant 6-zone paging microphone is consisting of a paging console and a distribution unit.
- The paging mic has one-touch on and off switches for zone selection, all call, reset & chime functions.
- LED indicates each function of the Shure SM7B.
- It has a long gooseneck microphone with a dynamic unidirectional cartridge—adjustable signal level for mic & chime outputs.
- Frequency Response, 70-10,000Hz.
The AT4040 a side-address condenser microphone has an advanced large diaphragm designed specifically to provide smooth, natural sonic characteristics.
Some of its features are:
- Technically advanced large diaphragm tensioned specifically to provide smooth, natural sonic characteristics.
- Externally polarized true condenser design.
- Exceptionally low noise.
- Wide dynamic range and high SPL capability for the greatest versatility.
- The Transformerless circuit virtually eliminates low-frequency distortions and provides a superior correlation of high-speed transients.